EDITORIAL
SPOTLIGHT INTERVIEWS
- All
- All The Way
- Bonnie & Clyde
- Broadway Musicals
- Broadway Plays
- Chinglish
- Enron
- Glengarry Glen Ross
- Gore Vidal's The Best Man
- Interview
- Lady Day at Emerson's Bar & Grill
- Race
- The Bridges of Madison County
- The Gershwins' Porgy and Bess
- The Glass Menagerie
- The Heidi Chronicles
- The Realistic Joneses
- Who's Afraid of Virginia Woolf
- Wolf Hall Parts I & II
- You Can't Take It With You
Interview with Christopher Durang
Interview with Stephen Kunken
Interview with Patrick Stewart and T.R. Knight
Eric McCormack Talks Comedy in The Best Man
Interview with John Moauro
Elisabeth Moss Talks The Resurgence of Feminism and Starring on Broadway Post “Mad Men”
Interview with Leigh Silverman
Interview with David Mamet
Ronald K. Brown Discusses Creating Dance for The Gershwins’ PORGY AND BESS
Donna Hanover Is a Journalist on Broadway in The Best Man
Spotlight Interview with David Alan Grier (2.0)
Cherry Jones Talks ‘The Glass Menagerie’
Brian J. Smith Talks ‘The Glass Menagerie,’ Plastic Theatre and Tennessee Williams
Michael McKean Reflects on 1964, Hoover and His Path to ‘All The Way’
Audra McDonald Talks About Becoming Billie Holiday in ‘Lady Day at Emerson’s Bar and Grill’
Interview with Neil Pepe
Interview with Lisa D’Amour
Nikki Renee Daniels Talks About Singing “Summertime” in The Gershwins’ PORGY AND BESS
Olivier Award Winner Nathaniel Parker Talks ‘Wolf Hall’ & Portraying Henry VIII
Interview with David Alan Grier
Playwright Will Eno Discusses Dead Squirrels, The “Great Unknown” and ‘The Realistic Joneses’
Amy Morton Discusses Her Broadway Experience in ‘Woolf’
Zachary Quinto Talks ‘The Glass Menagerie,’ and Working with a Theatrical Magician
Interview with Suzan-Lori Parks
Interview with Norm Lewis
Bart Sher Talks About Transformative Theatre and ‘Bridges’
Cybill Shepherd on Gore Vidal, her Broadway Debut and ‘The Best Man’
Leading Lady Rose Byrne Talks Growing Up in A Rambunctious Family and Bonding With Castmates | ‘You Can’t Take It With You’
From Facebook to Broadway, Jennifer Lim Talks Good CHINGLISH
Director John Tiffany Talks ‘The Glass Menagerie’
Jason Robert Brown Talks ‘The Bridges of Madison County’ and The Importance of Collaboration
Interview with Stephanie March
Peter Jay Fernandez from the Tony-nominated ‘All The Way’ on Encompassing The Civil Rights Movement on Broadway
Audra McDonald Talks About Becoming Bess in The Gershwins’ PORGY AND BESS
Lonny Price Explores Jazz Music, Immersive Theatre and Billie Holiday in ‘Lady Day at Emerson’s Bar and Grill’
Spotlight Interview with Bilingual Stephen Pucci
Christopher Oram Talks Olivier Award Winning Costumes of ‘Wolf Hall Parts 1 & 2’
Spotlight Interview with Joshua Henry
John C. McGinley Talks Mamet’s ‘Glengarry,’ Broadway and Malibu
Derek Klena Talks ‘The Bridges of Madison County’ and His Broadway Debut as Fiyero in ‘Wicked’
‘Lady Day’ Scenic Designer, James Noone, Talks Creating Non-Traditional Immersive Theatre
Funnyman Will Brill On Why New Yorkers Should Relax & Take A Page From ‘You Can’t Take It With You’
‘Woolf’s Madison Dirks Talks Playing Nick, Cruelty, and Working with Albee
Interview with Jeremy Jordan and Laura Osnes
Michael C. Hall Confronts the Profound in ‘The Realistic Joneses’
Kristin Davis on her Broadway Debut in ‘The Best Man’
Interview with Laurie Metcalf
Larry Lei Zhang on the Broadway Guanxi in CHINGLISH
From South Carolina to Broadway, Phillip Boykin Talks The Gershwins’ PORGY AND BESS
Marsha Norman Talks The Heart of ‘The Bridges of Madison County’ and Working with Jason Robert Brown
Kelli O’Hara Talks ‘The Bridges of Madison County’
Carrie Coon Talks About Rediscovering Honey and ‘Woolf’
Annaleigh Ashford Dishes on Dialect Dominoes & Calling James Earl Jones “Grandpa” | ‘You Can’t Take It With You’
